|
Field Guide
to The Drums: |
|
Hand
Drums & Percussion Instruments from around the world (and the
neighborhood.) |
|
Home
| Mark Shepard |
K-12 Schools
| Field Guide To The Drums
(if you got here from one of the study guides use your back key
to return to where you were) |
The photos get bigger when you click on
them! |
African Djembe: (Jem-Bay) This
goblet shaped drum is undoubtedly one of the most powerful drums in
existence. It has been called "The healing drum" and dates
back to the 12th Century great Mali empire of West Africa. A sacred
drum, it was traditionally utilized in ceremonies such as healing,
ancestral worship, rites of passage, warrior rituals, communication
over distances and storytelling. It has an incredible tonal range from
a deep thundering bass to a high pitch sharp slap.
|
 |
African Djun-Djun: (June-June) This
cylindrical drum is used in accompaniment to the Djembe in traditional
African music. You could say it is related to the European Bass drum
but since it is usually carved out of a log it is not something you
would strap on and march around with! The Djun-Djun I play is much
larger than most. I carved it myself out of a piece of Sycamore tree
trunk. It was partially hollow to start with but all the same it took
me almost a whole year to carve it. I use it for thundering,
earthshaking sound effects in general. When played softly it also
helps to set a scary, menacing mood. If it were turned with one of it’s
heads up and suspended between four supports, it would be a fine
native American council drum.
|
 |
African Talking Drum: This
hourglass shaped drum is loosely strung so that by squeezing it under
the arm, the pitch gets higher, by letting go, the pitch gets lower.
Traditionally it is from western Africa and is used in Ghana, especially
by the Ashanti people. I made mine from a cast off piece of house
column. It actually wasn’t supposed to be a talking drum but a
small Djun-Djun style drum called a Songba. However I was never very
good at measuring things and the rings came out way too big (ooops!) So
even though my drum isn’t an hourglass shape, (it’s tubular) it
still does the same thing, only it’s a lot bigger than most talking
drums! Some people, particularly kids, play it with their legs or in
teams! I call it my "Thighmaster Deluxe Talking Drum". |

|
Siberian Shaman Drum: Actually,
one sided frame drums are used in almost every culture from Central Asia
to Siberia and Alaska, Greenland, Ireland, the Middle East, and Native
America. Most traditional players use a stick in one hand while holding
the drum in the other. Following the lead of several modern players such
as Glen Velez of the Paul Winter Consort, I sue both my hands. The left
hand which holds the frame, actually plays a counterpoint on the back of
the drum while the right hand plays the main rhythm. In the Middle East,
the drum is played with both hands on the front of the drum using the
fingers. In addition, by wetting my finger and sliding it across the
head, I can create a mysterious or spooky "Whoooooah" sound. |
 |
Irish Bodhran: (Bow-Ron
or Boar-On) This traditional frame
drum from Ireland is played with a double ended stick called a tipper.
Because it is played partly muted (and therefore is not as loud as some
drums) it is an ideal accompaniment for singing. I play this drum in a
way that creates a similar effect to the African talking drum. By
pushing my hand from the back, I can change the tightness of the drum
head to make it "talk". |
 |
Khanjira:
(Can-JEER-Ah or Con-JEER-Ah) A 6"-7" lizard skin tambourine from
India with a single jingle. I don't know a lot more about this drum
at the present time. But when I find out more, I'll definitely post it
here. |
 |
Various Bells,
Shakers: Some of the most
important percussion instruments are the simplest: bells. Made of wood
and metal Cowbells and Agogo Bells are used throughout African and
Afro-Cuban music to provide a high sharp sound to balance the lower,
boomier drums.
 |
 |
 |
| Cow bells |
Nut-Hull Shaker |
Wooden Agogo |
|
| Agogo Bell (ah-Go-G0) |
 |
Wind Tubes: These are plain
and simple Vacuum hose originally designed for swimming pools!
When you twirl them around your head they make a cool singing
noise. |
| Wind-Tube |
|
|
 |
Rain
Stick: A South American
instrument. Traditionally they are made out of the skeleton of a kind of
cactus. The spines are broken off and hammered back into the stick
(pointy side first of course!) then pebbles are put inside and the ends
sealed. I make mine our of PVC pipe and bamboo barbecue skewers with
unpopped popcorn, rice, beans, dried peas etc. falling through the
inside. They can also be made out of cardboard tubes and small nails.
Crossing cultural boundaries, I use them wherever appropriate to create
the sound of rain or water in my songs and stories. |
 |
Space
Phone: This is not a traditional percussion
instrument. But, Since you strike it to make it sound it
qualifies to join the family right along with the guitar. |
| Space Phone |
|
|
 |
The
Guitar: Not everybody is
aware of the fact the the guitar is in the percussion family. It
is also in the stringed instrument family but, when you strike
the stings with a guitar pick you have just joined the
"rhythm" section. |
| Guitar (steel stringed) |
|
|
| All right! Now to see if you were paying
attention, Here is a Question for you.
Question:
Which of the above instruments is not in the
percussion family?
Answer:
|
|
|
Home
| Mark Shepard |
K-12 Schools
| Field Guide To The Drums
|